Dub Seven – part 8
(last updated: 19 March 2024)
1)
The Power of Festival (1985 + 1981/2020) [Huey Lewis] [Keypoint: 1:38]
2)
[ 2014 ]
Gadd #107 (1990s? + 2024) [Steve Gadd]
Wild #107 (1972 + 2024) [Steve Gadd] [Keypoint: 0:19]
3)
AeroType (2023/1990 + 2020) [Living Colour] [Keypoint: 2:32]
4)
5)
pic | PD
Drive Contact (2022 + 2012) [Pierce The Veil + Miami Nights 1984] [Keypoint: 2:41]
6)
[ ** ]
pic | CC
(self-portrait (2024) insertion)
Thrillevate (2024 + 2013) [Sellorekt LA Dreams + St Lucia]
[Keypoint: 0:32] –> 1 [Pharrell]
7)
[ ** ]
[ Also “what” >> “who” | “why” | “how” ]
Horsefields (2006 + 1997) [Zakir Hussain + Prodigy] [Keypoint: 1:06]
8)
Much Best (2023 + 1981/2019) [Brent Faiyaz + Luther Vandross] [Keypoint: 0:37]
9)
You Intro Me (2000/2020 + 1999) [Alan Braxe + Armand Van Helden] [Keypoint: 1:08]
It Will Get Sun (2023/2024 + 2022) [Knower + Planet Funk] [1:15 – 1:22]
10)
Forget Me Dub (2017/1982 + 2000) [Patrice Rushen + Tony Touch/MAW]
Future Me Nots (2017/1982 + 1999) [Patrice Rushen + Jamiroquai]
11)
pic | CC
Is it Swingin? (1994 + 1984) [Mint Condition + Huey Lewis]
12)
Hood Vibrations (live) (1991 | 1991 + 2024) [Marky Mark + BEADS]
Hood on the Floor (2023/1979 + 2024) [MJ + BEADS]
Entra Mi Hood (1999 + 2024) [Armand Van Helden + BEADS]
13)
Tennessess (live) (1992 | 2013/1992 + 2023) [Sarz + Arrested Development ]
Happiness Party (2023 + 2024) [Sarz + lvusm]
Nikon x RED – What it Could Mean for the Filmmaking Industry?https://t.co/RYqGYtCHUK pic.twitter.com/OV18s8cKfM
— CineD (@CineDnews) March 7, 2024
Asake on set of a video shoot. pic.twitter.com/PC02JOg1XA
— ASAKE (@AsakeTerrorist) March 12, 2024
14)
The Getty Makes Nearly 88,000 Art Images Free to Use However You Like https://t.co/Tk0wGdtnht (https://t.co/riK126qts8)
— Hacker News 20 (@betterhn20) March 15, 2024
[ ** disclaimer ** ]
visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
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