Dub Seven – part 9

(last updated: 9 May 2024)

1)

Asus E410K, 2022, IPS 1920 x 1080, fanless, low-temp, inexpensive (used to be,) light, long battery life, screen decent – not awesome, only 4GB of memory non-upgradeable but good enough for Linux. A Macbook Air with six more cores would be nice on my spaghetti drainer to heat the tent – but for 10 times the price I am not the dark-triad yuppie or rockstar developer – just yet anyway. I drink backyard tea.

Pad 1 | Pad 2 | 12/24v thermostat | kefir | ebay
Asus E410K ( amazon / ebay )

( 1 23

2)

[ ** ]

pic | CC (self-portrait (2024) insertion)


3)

Everything Pasa (2023 + 1984) [Somma + George Michael]
Que Party (2023 + 2001) [Somma + S Club 7]

4)

pic | CC (portrait extraction and insertion)


Sympin Love (1991 + 2023) [Boyz II Men + Route 94]
Love Ain’t Easy (1991 + 2014) [Boyz II Men + Route 94]
Love of Hearts (1986 + 2023) [Stacey Q + Route 94]

5)

picCC (self-portrait extraction and insertion x 2)

Love or Everything (1988 + 1991) [MJ + Climie Fisher]

– 5a

whitend (2023/2017 + 1991) [SZA/Esentrik + MJ]
Livend (2023/2017 + 2024/1991) [SZA/Esentrik + MJ/Moffett]

6)


Everything Human (2020 + 2024) [Overmono + LK]

– 6a


1

7)


1

8)

Get with the elements.

9)

src |src 2src 3src 4 | palette.fm

Vogue Un Deja Vu (1990 + 2024) [Madonna + Tamati]
Teen Deja Vu (1978 + 2024) [Pastorius + Tamati]
Magadeja (2024 + 2021) [Tamati + Fava/Mendes]

10)

“We are all in the gutter, but some of us are looking at the stars.”

Dear Maga (2024 + 2021) [Justice + Fava/Mendes]

11)

The Pickup

12)

13)

Chocolate to your Heart (2024 + 1987) [Opolopo + Wax]

14)

 

[ India 89 -> 90 | Bali 94 -> 95 | Gold Coast ~1998 | Melbourne ~2000 ]

Dreamin’ Hats (2015 + 2016) [PARTYNEXTDOOR + Steve Jordan]
Good Hats (2023 + 2016) [Usher + Steve Jordan]

[ ** disclaimer ** ]

visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 1 week ago

Dub Seven – part 8

(last updated: 19 March 2024)

1)

The Power of Festival (1985 + 1981/2020) [Huey Lewis] [Keypoint: 1:38]

2)

[ 2014 ]

Gadd #107 (1990s? + 2024) [Steve Gadd]
Wild #107 (1972 + 2024) [Steve Gadd] [Keypoint: 0:19]

3)

AeroType (2023/1990 + 2020) [Living Colour] [Keypoint: 2:32]

4)


5)

pic | PD

Drive Contact (2022 + 2012) [Pierce The Veil + Miami Nights 1984] [Keypoint: 2:41]

6)

[ ** ]

pic | CC
(self-portrait (2024) insertion)

Thrillevate (2024 + 2013) [Sellorekt LA Dreams + St Lucia]
[Keypoint: 0:32] –> 1 [Pharrell]

7)

[ ** ]
[ Also “what” >> “who” | “why” | “how” ]

pic | 2 | PD | CC

Horsefields (2006 + 1997) [Zakir Hussain + Prodigy] [Keypoint: 1:06]

8)

pic  | 2 | 3| 4 | CC

Much Best (2023 + 1981/2019) [Brent Faiyaz + Luther Vandross] [Keypoint: 0:37]

9)

You Intro Me (2000/2020 + 1999) [Alan Braxe + Armand Van Helden] [Keypoint: 1:08]

It Will Get Sun (2023/2024 + 2022) [Knower + Planet Funk] [1:15 – 1:22]

10)

pic | 2 | 3 | CC | CC2

Forget Me Dub (2017/1982 + 2000) [Patrice Rushen + Tony Touch/MAW]
Future Me Nots (2017/1982 + 1999) [Patrice Rushen + Jamiroquai]

11)

pic | CC

Is it Swingin? (1994 + 1984) [Mint Condition + Huey Lewis]

12)


Hood Vibrations (live) (1991 | 1991 + 2024) [Marky Mark + BEADS]
Hood on the Floor (2023/1979 + 2024) [MJ + BEADS]
Entra Mi Hood (1999 + 2024) [Armand Van Helden + BEADS]

( 1 2 3 )

13)

Tennessess (live) (19922013/1992 + 2023) [Sarz + Arrested Development ]
Happiness Party (2023 + 2024) [Sarz + lvusm]

14)

pic | 2 | 3 | PD

[ ** disclaimer ** ]

visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 2 months ago

Seven Memoirs

(last updated: 20 April 2024)

1) Nightlife

[ ** ]

pic | 2 | 3 | 4 | 5 | CC | CC2 | CC3
( self-portrait (1997) insertion, portrait extraction, background added | attended | self-portrait insertion (1997), random person extraction, background added)

In early 2004 I went to hear DfP play at Seven. The highlight of the night was hearing the Purple Mix of Controversy and I also briefly spoke to G and she looked so hot it was crazy. I had seen her near me on the dance floor at a mansion party in Toorak in 1996 and Simon (not Grey) knew her. I’m not sure I should’ve been at that party as I wasn’t on the door list (as an actual name) but I do remember somehow being invited – the controversy *. The security guard just let me through because I was with my mum and there was actually no drama at all although I wasn’t expecting a door list – it may have been an oversight or I was assigned as a guest to another person, yet perhaps I should’ve just gone home anyway. It’s something I’d expect from the fashion industry – “your invite has just been revoked.”

Anyhow, it was a great party in what seemed like a basement carport but with adjoining rooms to hangout in.

At one point, I even saw Andrew there (which I found truly bizarre but good) and people weren’t stressed about messing up the carpet or knocking over a statue or anything as would happen upstairs.

So maybe it was a different girl at Seven though, but I doubt it – although it might have been a few years earlier instead at the same place. Brett (not Goldsmith) also knew G and we both saw her once at the Station Hotel with a couple of her friends. I scaled back clubbing around this time too and so that life and its people were basically shelved indefinitely but I was saved from hearing damage. You said what??

Perhaps G doesn’t even know of me. That’s highly likely. I don’t know. Good luck to her. It’s a celebrity status to have.

One encounter I do remember in 1997 was when I bumped into T at Silvers Niteclub near the bar when there was a mad crush to buy drinks. I looked down and said “it’s a tight fit down there” looking at her tight jeans. She looked back at me and corrected: “very tight fit.” I am glad she could confide in me.

That year (or 1998) I also picked up B just up the street from Salt/Warehouse with his crew and took him back to his rather large estate not far away. At the time, he was in my peer group but we didn’t know each other. He was looking for change to call a taxi.

I just offered the group a lift home regardless. I think there were 2 guys and 2 girls in total. Nice guy. He invited me inside, so I went in and upstairs on his tour he said “this place is wild” and there was sort of a party going on but I didn’t stick around. Anyway, on the way out there was a group of girls and I had a chat, and I ended up with a phone number. Impressed, B bid me farewell and I was back on the road. A few days later she never called back. Never saw B again either. With social media things could’ve been different yet I’ve always seen myself as viewing others as an end in themselves, not a means to an end, or a source for attention and admiration. Being super-rich could be challenging if one is constantly dealing with the sycophancy of others and their backstabbing. I read once that a lot of young souls are born into immense wealth and power so they can learn about their impact on others and that would make things even harder.

[*] that same thing happened again in 2004 at a magazine launch party but I did get in anyhow.

Purple Mix: 1:12:30 :-

Controversy Tonight (1981 + 2023) [Prince]

2) Grassroots

[ ** ]

pic | Dec ’21 – Kuranda| CC
(self-portrait (2024) insertion)

Note: after that shot of Nina was taken. Her instagram became private and she stopped posting to it. But just recently (beginning 2024), her number of posts has since dropped to 17.

I’ve seen similar things happen before to other people I have made contact with, even in the most minor way including Yulianna, Laura and Saunalution. Those three were already mentioned in A Tribute to David (Sep ’22). These are just observations though. It doesn’t mean much in and of itself.

I wish her and her friends Dustin (boyfriend) and Max well. Has she learned to meditate? Is she back in Germany? I was just staying at the same campground – The Billabong in Kuranda in November ’21 for a few weeks and even spoke to an indigenous guy there too, Sony… interesting lineage too.

So I never saw or spoke to her or her friends ever again as I thereafter decided to head toward Brisbane to build a trailer, but I salvaged Nina’s phone that she left behind. I found it lying face down on the open grass with its highly cracked screen. I had a passing interest in fashion photography too at the time and left that behind myself – my broken main camera was part of the problem.

Interestingly, Carmen who was at The Billabong in Kuranda hasn’t posted main photos to her IG (Jan 2024) since then either.

… only to the highlights feed! Waiting for the billy to boil under a coolabah tree?! I personally think she could run a Vlog with all the dramas that unfold there and she’d probably agree!

So Nina appeared out of the blue, took it, said something about whether I would be seeing them in Yungaburra, placed it in her back pocket and left quickly.

At least she got her phone back and male or female, as a matter of caution, I would not have that thing anywhere near my reproductive organs if I wanted to keep them that way for that purpose.

So as with her other two friends, no online communication at all at any point and no friending or following allowed. Yet the strange part was my messaging associated with that phone incident was deleted on FB, by FB, perhaps a week or two later.

This is not something I enjoy posting, and I don’t like taking screenshots, but feel compelled to do, especially if it has anything to do with me. And it certainly may not. In any case, there is a war on masculinity – and femininity in its shadow too I might add.

So is she still in Australia? Why?

 

homeaffairs.gov.au/about-us/what-we-do/borderwatch/reporting

My maternal grandmother Ina (Faina) grew up in Hamburg, Germany (born Oryol, Russia) and ended up hating it due to persecution, and even returning there over 80 years later brought back too many negative memories for her including the death of her father (Simon Kaplan) where he owned a frames and casings factory – she thought about him all the time. The factory was on Schanzenstraße, Hamburg yet he was born in Mogilev, Belarus in 1888.

[ Hamburg (1936 estimated) – Simon, Rita (daughter), Elizabeth (wife), Joachim Snapir (Ina friend/partner,) Ina (daughter) ]

In 1938, the year of Kristallnacht, Simon Kaplan was called to Gestapo headquarters for unknown reasons. In the family, there was an argument about whether he should comply or flee, but he went – I think he wanted to avoid losing the factory and he ended up at Oberschlesien or else Auschwitz by 1942 for the “final solution.” So what were Nina’s grandparents and great-grandparents doing during WWII? Maybe that’s something for her to explore in meditation? Did they have dreadlocks?

Nina’s back (28 March 2024,) Dustin [2nd profile – Melbourne] and Max also online.

 

View this post on Instagram

 

A post shared by Diveakssh Schae (@diveakssh)

.. or is Dustin in Tasmania?

Over 20 years ago, Martin made it out of Australia from Byron Bay, and back to Germany, but his profile pic disappeared too quickly after I friended him recently: just an observation though. He was/is a really interesting guy – I mentioned him here.

Max was still here in April ’22.

He doesn’t look too keen to leave either! They all seemed like really nice people too.

I was initially at my computer one night in the dining area when the 3 or 4 approached me for a lift to a music festival.

Abrupt request… didn’t they have vehicles or something? How would I stack them all in? Could I tow them in on bicycles or have them stretching out on my bed in the canopy? Could’ve been a fun night though.

But I am aware of the German style where the camaraderie can turn on a dime (the Fascist switch??)

…like with Israelis (the Massadah switch??) But that’s just my experience anyway – and a generalisation at that.

Also, all my grandparents spoke German fluently, and my surname Wajsbrem equates from Weiss Braue in German  – White Eyebrow. Wait, so I’m one of them?! Well, Frederick was born in Meiningen, Germany but the other 2 (Helen + Oskar) were actually Polish.

Brem could also equate to brew in Polish – same meaning.

Nina and Dustin seemed so switched-on and relaxed, so how are they going now regardless of residence and activity? Do they have a blog of any kind of their travels? Are they still together? As they say, it’s the journey and not the destination. Is there a modelling portfolio people should see?

Do they think about tying the knot here? Have they found Shakti? Are they permanent residents or new immigrants?

A child born in Australia to foreign parents is entitled to full Australian citizenship, giving them the same rights and benefits as other Australian citizens.
src

3) Vantage Points

(1 2 ) 3 4 5 6

* pics 1 and 2 were cropped from much larger pictures taken as general city scenes in quick succession with no person in particular selected to be photographed. It was a Zoom-In edit. Connotative meaning can be applied but hasn’t been inferred. Pic 3 is a screenshot from a music link further down.

A person can be at the ‘crossroads’ and not even know it until they see other perspectives of themselves later.

Crosshairs too, for example in political machinations or targeted civillians.

From my own reading of Maitreya, often it takes one’s own death to see the bigger picture missed while leading a myopic life – in a life review away from the Earth plane.

src

Also, in a piece from 2001, they mention the Hall of Mirrors as related to 9/11 terrorism.

src

Fear of death, and fear overall is the small self afraid of the big self, non??

Yet, who has ever directly seen the back of their head… even with a mirror? Everyone has a blindspot: perhaps it was meant to be that way? It gets people to the hairdresser, right?

At an end-of-year work meetup in ~2002, I was sitting next to one chap who said something like “If anyone were to kill any of my two daughters, I would want them dead.” The topic went on for a couple of minutes, I think he’d already had a few drinks, not sure, and then I said, “well, what if one daughter killed the other one?” After a few long moments, he replied “Bastard!” End of topic. Blindspot revealed.

But I never brought up the topic with him and I have no idea why he did. I think he carried a photo of them in his wallet as they were children. I don’t remeber much more of the conversation either.

Killer Kids are an uncomfortable topic…

src

…so too is part of Jewry wanting to kill another part, in what might be an active war at present with Zionists targeting religious Zionists although it is a clandestine one whereby “Sabbateans are chameleons taking on the identity of their targets, destroying them from within.” –

src

It certainly deserves verification, and if true, wider attention. It certainly wouldn’t surprise me – when the parasite becomes predator and the phenomenon has history.

Note, the author of that article is Jewish.

So just as Cain killed sibling Abel (a shepherd) another shepherd (14 y/o) was murdered in April 2024 in Israel but afterward equipment was seized from his house during mourning. Sabbatai Zevi was considerred a false messiah, are there more today?

Speaking of which, in Ormus King 9 as written in Queensland in September 2019, the anti-Christ almost becomes the world’s messiah as a usurper.

It might even be worth constructing a 10th film where he/it actually does to make it more lifelike. The Sabbatean edition. Or else, one may just look at the news – that is the Sabbatean edition!

In Australia, prior to ~2019, I would never have guessed that a large part of the “genocide” against the indigenous was done by natives to themselves and they were already warring with each other prior to Cook arriving, having different languages and geographies.

The Native Police were Australia’s own Einsatzgruppen – the ‘willing executioners’ of whom historians of Nazi Germany have investigated, pondering the question of how the nation of Bach and Beethoven could also produce mass murderers in uniform. That the Native Police were Indigenous men willing to serve for rations, tobacco and a pittance, and to pursue and kill other black people should not surprise us. Colonial governments made sure that men enlisted in, say, Victoria, were used in Queensland, far from their own country – they generally could not even speak the same language as their quarry.

It was no novelty for empires to use its subject peoples to enforce or extend their rule. Imperial Russia had its Cossacks, France its Spahis d’Afrique in Algeria, East Africa the King’s African Rifles and British India a huge army whose Sepoys – Bengalis and Madrassis, Gurkhas and Sikhs – fought to gain and protect Britain’s hold on the sub-continent. That settlement in Australia was assisted by blacks killing blacks is a tragic irony of Australia’s history, but not one we should avoid.
src

Note, they were given elephant guns to enact maximum damage and someone in far north Queensland told me that there are longstanding enmities that still exist to this day and shape police recruitment.

[Queensland, 1864]

I also read in a gallery that the native police force was initially setup by a German guy to conduct “dispersals” and pave the way for settlement.

Funkin’ for Missy (2024 + 2021/1980) [Funky French League + Tom Browne]

[ ** disclaimer ** ]

visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 4 weeks ago

Dub Seven – part 7

(last updated: 15 January 2024)

1)

pic | 2CC
(self-portrait (2008) insertion)

Text Me Not Alone (1995 + 2023) [MJ]

2)

3)

– now playing

4)

pic | CC
( _ | _ | self-portrait (2006) insertion with colour overlay)

5)

pic | 2 | 3 | CC
(self-portrait (2013) insertion | ” | ” )

6)

pic | CC
(self-portrait (2008) insertion)

7)

pic | CC
(self-portrait (2015) insertion)

Childhood Upset (2023 + 2023) live [Timecop1983]

8)

pic | 2 | 3 | CC
(self-portrait (2015) insertion)

Just Mission Walking (1980 + 2023) [INXS]

9)

pic | 2 | CC
(self-portrait (2006) insertion, pink saturation adjustment | self-portrait (2014) insertion)

Tell Heart Nostalgia (1987 + 2023) [Taylor Dayne]

10)

(PD)

Historian D'Ann Campbell argues that the purpose of the wartime posters, propaganda, and censorship of soldiers' letters was not to foil spies but "to clamp as tight a lid as possible on rumors that might lead to discouragement, frustration, strikes, or anything that would cut back military production." - src

pic (1941) | 2 (1942) | PD

part 2

11)

Happy 2024 – 365 sleeps ’til MMXXV

picCC
(self-portrait (2012) insertion, characters added)

Motown Cali (1997 + 1991) [Notorious BIG] [Boyz II Men]

12)

[ ** ]

pic | 2 | CC | CC2
(self-portrait (2015) insertion, portrait insertion)

src

13)

14)

pic | 2 | 3 | CC | CC2
(self-portrait (2024) insertion, wall brand removed | slightly transparent t-shirt self-portrait (2024) insertion | self-portrait (2024) insertions, car insertion)

[ ** disclaimer ** ]

visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 4 months ago

Dub Seven – part 6

(last updated: 21 April 2024)

1)

[ ** ]

pic | 2 | 3 | 4 | 5 | CC
(self-portrait (y ?) insertion, portrait extraction, background added | self-portrait (2004) insertion | ” (2007) ) | ” (2004) )


Sun Down On Me (2004 + 2023) [Eric Pridz]

2)

[ ** ]
pic | 2 | 3 | CC | CC2
(self-portrait (2000 ?) insertion | self-portrait (1997) insertion, portrait extraction, background added )

Kiss of Mahogany (2023 + 2023) [Eric Moore]

3)

pic | 2 | 3 | CC | CC2
( self-portrait insertion (2001) | ” )

Boogie Don’t Stop 2Nite (2006 + 2020) [Eric Moore, MJ]

4)

[ ** ]

pic | 2 | CC
( self-portrait insertion (2007?) | ” )

1 2 3 4

5)

pic | CC
( self-portrait insertion (2005) )

Also see Shvitzing Endeavour (#4)

1 2 3 4 5 6

6)

[ ** ]

pic | 2 | CC | CC2
(  _ | self-portrait insertion | _ | self-portrait insertion )

Blue and Nasty (1982 + 2023) [Vanity 6]
Blue for Detroit (2009 + 2023) [Fedde Le Grand]

7)

[ ** ]

pic | CC
( self-portrait insertion (2005) )

Just a Story (2019 + 1996) [Frightwave 80’s]

8)

[ ** ]

pic | CC
( self-portrait insertion (2010) )

Girl on Fire (2023 + 1998) [Arkana]

9)

[ ** ]

pic | CC
( self-portrait insertion (2008) )

Star Could Say (2021 + 2008) [Lily Allen]
Star Yours (2021 + 2001) [Jon Cutler]

10)

pic | 2 | 3 | CC
( self-portrait insertion (2005) | ” | ” )

Ocean For You (2023/’93 + 2019) [Jodeci]

11)

pic | 2| CC
( self-portrait insertion (2005) | ” )

Way For You (1996 + 2023) [Biggie, 112]
Funly for Jamaica (1996 + 2021) [Biggie, 112, Mase, Tom Browne]

12)

Missing the Sky (1997 + 2023) [Diddy]

pic | CC
( self-portrait and item insertion (2023) )

13)

pic (self-portrait insertion (2007})

Wave Yourself (2018 + 2023) [Evan Marien, Dana Hawkins]

—-

[ ** disclaimer ** ]
visual and illustrative representations only and not for further distribution unless otherwise stated. No bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 4 weeks ago

Dub Seven – part 5

(last updated: 15 November 2023)

1)

[ ** ]

pic | 2 | CC (self-portrait insertion)

421 Revolution (2002 + 2023)

2)

[ ** ]

pic | 2 | 3 | 4 | CC | CC2
(self-portrait insertion, portrait extraction, backgrounds added)

3)

[ ** ]

CC

4)

[ ** ]

pic | 2 | 3 | 4 | 5 | 6 |  CC | CC2 | CC3
(self-portrait insertion, random portrait extraction, background added)

5)


NYC radio

pic | 2 | CC
(self-portrait with city background added)

6)

pic | 2 | 3 | CC | PD
(self-portrait with city background added)


7)

picCC
(self-portrait overlay with info box shift)

8)

[ ** ]

Hey Safety (1999 + 2023)
Hey Safety (live) (2000 + 2023)

pic | 2 | 3 | 4 | 5 | 6 | 7 | CC | CC2
(self-portrait overlay with ticket conjoin | self-portrait background insertion | self portrait insert and portrait extraction and overlay | self-portrait and skater insertion)

9)

[ ** ]

pic | CC
(portrait extraction and insertion | ++ background added)

10)

[ ** ]

pic | CC
(self-portrait insertion)

11)

[ ** ]

One More Control (2013 + 2023)
Control Machine (2013 + 2023)

pic | CC
(self-portrait insertion)

12)

[ ** ]

U Send Me Changin’ (1994 + 2023)

pic | 2 | 3 | 4 | CC | CC2 | CC3
(self-portrait insertion | ++textover)

13)

[ ** ]

– a different Adrian:

– now playing:

pic | 2 |3 | 4 | 5 | 6 | 7 | 8 | 9 | CC | CC
(self-portrait insertion | portrait extraction and insertion | billboard image insert | portrait extraction and conjoin)

1

14)

pic | 2 | 3 | 4 | 5 | CC | CC2

(self portrait insertion | ” | “)

—-

[ ** disclaimer ** ]

visual and illustrative representations only, not for further distribution and no bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 5 months ago

Dub Seven – part 4

(last updated: 15 October 2023)

1)


2)

3)

(explicit lyrics)

That Body (18+) (1984 + 2023)

4)

pic | 2 | CC

Love Tones (1995 + 2023)
Talk Out the Tones (2022 + 2023)

5)

[ ** ]

pic | 2 | CC

6)

[ ** ]

pic | 2 | 3 | 4 | CC + 4

693 Hz

7)

[ ** ]

* solely fictional entity and character. See host club.

pic | 2 | CC | CC2 | CC+

Japan Freak (1992 + 2023)

8)

[ ** ]

pic

Grace and Night (1988 + 2023)
Grace Will I Know (1986 + 2023)

9)

[ ** ]

pic | 2 | 3 | photos by Alan Light | CC

Gypsy Jam (2018 + 2023)
Jamsy (2019 + 2023)

10)

[ ** ]

pic | 2 | 3 | 4 | CC

Show Me Friends (1987 + 2021)
Crash Friends (1987 + 2016)

11)

pic | 2 | CC

12)

[ ** ]

pic | 2 | 3 | CC (colour portrait inserted, monochrome portraits inserted – random and fictional)

Black Panda (2017 + 2023)

13)

[ ** ]

pic | 2 | 3 | 4 | CCCC2
(female portrait extracted and inserted, skyline added)

Turner’s Paradise (1995 + 2023)
Turner’s Paradise V2 (1995 + 2023)

14)

[ ** ]

pic | 2 | 34 | CCCC2 | CC3
(female portrait extracted and inserted, beach added with unicycle)

Don’t Waste My Body (2002 + 2023)
Don’t Waste My Body (live) (2002 + 2023)

[ ** disclaimer ** ]

visual and illustrative representations only, not for further distribution and no bearing with any intent or interaction. I do not know the person(s) shown above and have not met them. There is a strong randomness factor too in the selection. They may or may not know about this derivative image, as with their associated photographer and uploader. It is enabled and encouraged by the Creative Commons license attached to the original source image. This is part of a limited series exploring old photos and creating high-quality, composite images related to new music and new music mashups.
✓ 7 months ago